Publications

 

A. Stolfi, M. Ceriani, L. Turchet, and M. Barthet. Playsound.space: Inclusive Free Music Improvisations Using Audio Commons. In Proceedings of the International Conference on New Interfaces for Musical Expression, 2018.

L. Turchet and M. Barthet. Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables. In Proceedings of the International Conference on New Interfaces for Musical Expression, 2018.

S. Skach, A. Xambò, L. Turchet, A. Stolfi, R. Stewart, M. Barthet. Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. In Proceedings of the International Conference on Tangible, Embedded and Embodied Interactions, pages 80-87, 2018.

DOI: doi.org/10.1145/3173225.3173272

BibTeX Entry

L. Turchet, A. McPherson, M. Barthet. Co-design of a Smart Cajón. Journal of the Audio Engineering Society, 2018 (in press).

L. Turchet and M. Barthet. An Internet of Musical Things architecture for performers-audience tactile interactions. In Proceedings of the Digital Music Research Network Workshop, 2017.

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DOI: doi.org/10.26494/DMRN.2017.30583

BibTeX Entry

L. Turchet and M. Barthet. Envisioning Smart Musical Haptic Wearables to Enhance Performers' Creative Communication. In Proceedings of International Symposium on Computer Music Multidisciplinary Research, pages 538–549, 2017.

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BibTeX Entry

L. Turchet, M. Benincaso, and C. Fischione. Examples of use cases with Smart Instruments. In Proceedings of AudioMostly, pages 47:1–47:5, 2017.

DOI: 10.1145/3123514.3123553

BibTeX Entry

L. Turchet. The Hyper-Mandolin. In Proceedings of AudioMostly, pages 1:1–1:8, 2017.

DOI: 10.1145/3123514.3123539

BibTeX Entry

L. Turchet, C. Fischione, and M. Barthet. Towards the Internet of Musical Things. In Proceedings of Sound and Music Computing Conference, pages 13–20, 2017.

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L. Turchet, A. McPherson, and C. Fischione. Smart Instruments: Towards an Ecosystem of Interoperable Devices Connecting Performers and Audiences. In Proceedings of Sound and Music Computing Conference, pages 498–505, 2016.

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BibTeX Entry